What I do is often described as graphic recording or graphic facilitation — capturing live conversations and ideas in real time through illustration and design. But what actually makes my work different is the design part. Most people in this field are artists who draw fast. I'm a graphic designer who also happens to be an artist — and that distinction matters enormously in the output. Every piece I create has intentional hierarchy, considered balance of content, illustration and space, and a clarity of navigation that means the work doesn't just look impressive in the room. It functions. It communicates. It gets used.

Whether I'm working with pens and pastels on large-scale paper hung on a wall, or entirely within my iPad, the standard is the same — detailed, accessible, gorgeous and genuinely useful to the people in that room and long after they leave it.

Big events with my work projected on stage in front of thousands. Small community sessions where a single visual can shift a conversation. Everything in between. I love it all.